Autumn Nights Challenge

Hi everyone!
It's time to share the fabulous pieces I created with the lovely beads sent to me by Lisa Lodge at Pine Ridge Studios Beads and More for her Autumn Nights Challenge.
(I'm a few hours early. I've got to be at work early tomorrow and just couldn't wait any longer to post!)

First, here is the official Pine Ridge artwork for the event:

There were just oodles and oodles of beads in this Challenge kit.  The kit I received was a mixture of amethyst, matte and shiny black, and silvery pearl beads.  I dug right in, totally forgetting to take a picture of the beads first!  This will give you the gist of things when I realized the 'before' picture is very important:

My first bracelet 'flew' together with this lovely feather clasp Lisa sent along in the kit.  I pulled out some silver wire and a pair of sterling silver cones from my stash and wah lah:

Next..obviously on a 'bracelet theme'...  I wanted to make a comfy, easy-to-wear stretch bracelet trio that combined several of the bead types.  They needed to keep a strong association to each other for a set.  The silver bead caps with the fluted design worked very well in the amethyst and basic black bracelets.  Years ago, I purchased these star-burst flat disc beads and thought they would be perfect for a Challenge theme that featured nighttime and stars?  These discs are super-sparkly in real life, almost too bright for the camera lens.  A few of those beautiful pearl beads softened the over-all look.  These could be worn in any combination..wear one, two, or all three.  Plus, that basic black bracelet would go with any outfit!..my 'go-to' wardrobe-maker.  Oh, and I love love those matte black barrels:

I was determined to use all the beads in this kit.
These pieces came next:

Lisa included 2 unusual, flat, softly matte glass rectangles in the kit.  What to make?..earrings?..no, wasn't in an 'earring mood' (I get like this..been wearing the same pair of 'basic' earrings to work now for a few weeks now..boring Carol).  A pendant?..maybe..but it needed 'sparkle' to go with those sparkling amethyst rondelle beads.  Out came the Swarovski flat-backed hot-fix crystals in a purple mix.  Using only gentle heat from a common heat gun adhered these hot-fix crystals perfectly..the glass was a perfect conductor.  I was amazed!  Sterling silver jump rings and a slightly oxidized sterling flower toggle clasp (also from my stash) made this necklace.  And, I still had beads remaining to use!  My last piece was a toggle bracelet that used the last funky, chunky matte black barrels (did I mention how much I love those??) and the last few sparkly amethyst rondelle beads with this sterling toggle clasp.  The very last barrel bead became a perfectly fun dangle with a sterling head pin wrapped-up around it.

I think there are about 3 & 1/2 beads remaining from this great kit (which may become my new pair of work earrings?  :)

Please head over to Pine Ridge Studios during October and November to see what everyone created from their own unique Autumn Nights kit.  I can't wait to see them all.  Mine will be posted there shortly, too!
Carol

Klik Component Reveal at Resin Crafts

Hi everyone,

I've been On-Call for work this week, and it's been pretty busy...  

Beading has been on my mind, tho!  I squeezed a few hours of creative time in today...

Today, I finished the piece I've been working on for the Pine Ridge Studios Clay & Metal Blog Hop. This is one of those pieces that started 'one way', then I pulled it all apart and went a 'different way', then a '3rd way'...before finally deciding on a 4th totally different design in the long-run.  I was thrilled with the final result today..until I stumbled upon a design element featured at Fusionbeads while checking-out their new line-up of Swarovski beads.  I'm going to challenge myself a little further by trying my hand at this little element tomorrow and then add it my piece.  

So there we go...push just a little further to meet the challenge..that's my motto!

In the meantime, Carmi at Resin Crafts has been revealing the 50 Klik Collaborative submissions over the last 2 weeks.  WOW..you must take a peek at Resin Crafts.  The Artists have created an outstanding array of Klik art.  Now that mine has been revealed, I'd like to share it with you!

Ingredients include: A small Klik bezel, a teeny-tiny wire-crocheted pumpkin by Saffron Johns of otherworlds (Etsy), EasyCast Epoxy Resin, mica powders in antiqued sterling, mossy green and copper fleck, three sparkly Swarovski Crystal flatbacks and a jelly headpin.  

See you soon!
Carol

Look at all the Goodies!

Happy September everyone,

I've got 3 sets of pictures to show you today!

The first is the stash I received from Lisa Lodge at Pine Ridge Studios for the upcoming Agate Challenge.   Now, we did receive 3 styles of Agate beads in this stash..but I was so excited, I forgot to take pictures before I started 'making'!   So, missing from this picture are the beautiful plump round Agate beads I used right away!  Don't worry, you will see them again very soon when the Challenge is 'revealed'...

My plan for the Agates..make 3 pieces, each with a different shape of bead and different type of metal.  I have two pieces completed, and the third is still on my bead mat awaiting a few finishing touches.  I may have enough left-over for a pair of earrings!

Next is a picture of the awesome stash received for the Sparkle Challenge.
Oh boy!..Super Sparkles!

And.. last but definitely not least, here are the components for the Clay & Metal Hop...I already have a plan formulating for these.  Sharyl's pieces are so pretty in pink, with a dash of glimmer and icing, and the crystals Lisa added are perfect.

Having a beading blast,
Carol

The Indian Rug Set

Welcome back!
Today, I completed my Indian Rug-inspired set with a pair of dangle earrings.  My set was inspired by the Anne Repath painting posted at artbeadscene during August 2014.  I took a series of pictures along the way to show you how I made these.

First, this natural grey Silk thread was the perfect stringing material.  Waxed linen was too thick and wires were too stiff for the look I wanted to achieve.  The soft grey color was a perfect compliment to the beads and the Redpath artwork, too.  For the set of earrings, I used about 12-14 inches of Silk total (about 6-7 inches per earring).

Here are the rest of the 'ingredients':
Two 4mm round Swarovski Crystals in Montana Blue
Four 3-4mm gemstone chips - Citrine
2 gold ear wires
2 gold jump rings (you could use any size jump ring; mine are 'open' rings)
2 Wild Rose Polymer Clay Beads from TreeWingsStudio
6 Vintage Silvery Grey Ruffled Rondelles from beadbrats - 3 per earring

Tools:
A pair of sharp scissors to cut the Silk thread
A large-hole 'easy thread' needle
Chain-nose or Flat-nose pliers to open/close the jump rings
Optional - HypoCement

For the fist earring:
Cut about 6-7 inches of Silk from the card.  Slip the Silk through one crystal to form a simple loop:

In the photo below, you can see my large-hole needle.  This is a fantastic tool!  It makes slipping thread though a small beading hole so much easier (and makes work for those who need 'vision-correction' a breeze...bifocals...me!).  Make a simple over-hand knot above the crystal.  Leave a nice little loop above the over-hand knot:

Thread a rondelle bead.  Snug-up the beads and then make another over-hand knot below the rondelle.

Thread a Wild Rose bead.  Turn the piece to the 'wrong side' and snug-up those beads, again!   Tie another over-hand knot and snug-up this knot as close as possible to the base of the Wild Rose bead.  I just used the tips of my fingers to gently 'coax' the knot into the proper position:

Separate the Silk threads.  Thread one rondelle and then one Citrine onto each thread end
(so sorry for the blurry photo!):

Tie a knot under each Citrine at whatever length you desire.  I chose to tie my knots on each thread at varied lengths in order to achieve a 'fluttering' effect.  Using sharp scissors to prevent the Silk from fraying, trim the ends of the Silk to about 1/8-1/4 inch below the Citrine.  You could apply a tiny drop of HypoCement to these ending knots, if desired.

Open a jump ring.  Always use pliers to twist a jump ring open.  With a pair of pliers held in each hand, gently grasp each side of the jump ring where it is cut.  Gently twist one side of the jump ring away from you. This motion opens the jump ring slightly while maintaining its nice, round shape.  Slide the opened jump ring through the little thread loop above a crystal.   Making sure the Wild Rose bead is oriented to 'face-front', slip the jump ring through an ear wire loop.  Carefully close the jump ring in the same way it was opened.   Check to be sure the jump ring ends are now tightly 'flush' together and without any gaps showing.

Construct a second earring in the same way...and wa lah!

Here are my completed earrings:

Here is my finished set:

I think they look fabulous together!
Hope you like them, and my first attempt at a mini-turorial!
See you soon,
Carol

Coming next....

...a pair of earrings to match The Indian Rug bracelet!

I have 2 more of these gorgeous, deep red Wild Roses from TreeWingsStudio and a few more fabulous Vintage silvery-grey ruffled glass beads from beadbrats....

..and a little idea in mind...

Suddenly, I am SUPER-inspired!

Check-back later this weekend  :)

The Indian Rug

Hi everyone,  Wow, can you believe it's August 20th?

I wanted to share my August artbeadscene Challenge submission with you today:

The featured Artist this month is Anne Redpath and our inspiration artwork is the Indian Rug from 1942.  It's a very complex piece in my minds-eye...lots of intricate details, vibrant colors, and many points of reference to pull your interest.  Here is the piece, along with Brandi Hussey's excellent inspiration palette across the bottom:

I'll have to admit it..I was stumped.  Too much going on?  The flatness of the piece?
My 'muse' took some time away from my brain at some point.

Finally, I decided to focus on the colors and started pulling lots of beads out of my stash.

There were zero 'red slipper' components in my collection (I can't hardly believe that). However, I did have beautiful flower beads from Rebekah Payne of TreeWingsStudio (Etsy shop link; treewingsstudio is the link to her blog site).  Last year, Rebekah offered Wild Rose Polymer Clay art beads in her shop.  I had to get a few in every color...red, teal, white. Later, she held a de-stash event where she offered unique, one-of-a-kind pieces. That's where I snapped-up this lovely blue rose!  Upon reconsidering, I realized the Wild Rose beads were perfect focal elements to compliment Redpath's artwork.

Next, the rug in the artwork totally attracted my attention. Anything bright silver or cool pale grey is a favorite. In my stash were very special Vintage Glass beads from Marie at beadbrats (Etsy).  These softly ruffled, silvery beads provided an amazing background element for my bracelet.  That was an easy decision!

Next, I wanted to incorporate some of the golden and darker blue notes. The Swarovski Elements Crystal Pearls gave just the right amount of color with a soft subtle glow.  More important to me was that they didn't detract from Rebekah's and Marie's beads.

I also didn't want a clasp to pull your gaze away from those carefully-chosen elements, so decided to construct the bracelet with an old favorite = stretch elastic!  It does seem like Memory Wire and elastic are both making a come-back these days.

And, wa lah.. that was it!  What do you think?

With a simple goal in mind - COLOR - the piece came together.

Thanks to ABS for another great Challenge!  And thank you Rebekah and Marie!  :)

Happy beading days,
Carol

ABS August 2014 Challenge

Don't forget about this, too!

artbeadscene August Challenge - The Indian Rug by Anne Redpath (1895-1965).  This clip of the artwork displays a color palette created by Brandi Hussey.  This palette is just as inspirational as the artwork!

The description at ABS:
The vivid colors and flat patterning of this painting owe much to Matisse, while the 'tipped-up' perspective reflects Redpath's admiration for early Italian painting.  Redpath was fascinated by colour and texture.  In this painting, the pattern of the rug meshes with the shapes of the slippers and chair to such a degree that it is difficult to separate flat from three-dimensional form....

Anne Redpath was born in Galashiels and studied at Edinburgh College of Art.  In 1920 she married and moved to France, devoting much of the next fourteen years to her family and doing little painting.  In the mid 1930's, she returned to Scotland, settling in Hawick in the Borders.  Redpath admired the French Post-Impressionist artists, such as Van Gogh and Gauguin, and also Matisse...

Another fascinating life and career!  Thank you, ABS.
I am looking forward to creating!